Kid's stuff
First off, it's looking like the covers recording project (from last time) may well end up being for immediate family and friends only (lucky them :-) ). I had an e-mail exchange with a singer-songwriter in the US who has done something similar, and he said that over there, if you record someone else's composition, you have to tell the organisation which collects songwriters' royalties, and cough up a fee for each copy which gets sold, downloaded, whatever. ("Well, duh!", comes the retort from the seasoned artists out there—hey, go easy on me, I'm new to this ;-) )
I imagine there's a similar arrangement here in the UK, and apparently it applies whether you're a million-selling artist or a dilletante bedroom musician, or whether you're offering it for free or charging for it. Methinks this will stay a little private project of mine, then—oh well, the practice will be good for me, and it might even spark a new song or two...
Anyway, I'm still doing some other recording at the moment: you may remember from a few weeks back, that Sidingsound Productions is busy on a set of children's songs for Joy's new programme of children's musical activity sessions. I now have a good number of tracks "in the can" (OK, on the disk) for that, and will probably be working on the others sporadically over the next couple of months. Ultimately, we think we'd like to try selling CDs of the songs, so the arrangements will need to be filled out and tidied up before then.
In the process, though, I must say I'm enjoying working on these tracks—even though these are children's songs, I'm approaching them not that differently from any other song I'd produce. Some songs are receiving a slightly different treatment than you might expect; I've arranged "The Wheels On The Bus" in a kind of Monkees style (sort of country-tinged folk-rock), and even borrowed a friend's wonderful old 60s Hofner Futurama bass guitar (with flatwound strings!) to get that "Last Train To Clarksville" sound.
Other songs are getting makeovers for these sessions, too: "The Ants Go Marching" has shades of Billy Bragg's "The Marching Song Of The Covert Battalions" (which nicks the "Ants" tune anyway :-) ), and "Johnny Works With One Hammer" dovetails two arrangements, inspired by Julia Plaut and The Wiggles' versions of the song.
I shall tantalise you with that glimpse of the future, and leave it at that for now...
Labels: childrenssongs, covers, music

